The Gray Man 2022
6.5 IMDB
Ryan Gosling, acclaimed for roles in "La La Land" and "Drive," steps into a quasi-superhero role in Netflix's high-budget production, "The Gray Man." Directed by Anthony and Joe Russo, the masterminds behind "Avengers: Endgame," this ambitious film aims to ignite a new blockbuster franchise. Despite the star power and substantial investment, it becomes evident that Netflix sometimes lacks creative control, allowing projects like this to falter in delivering memorable content. While the film is engineered to fit the algorithm and attract mass audiences, it struggles to carve a lasting impression. As the potential start of a franchise, "The Gray Man" must evolve to possess more distinctive attributes in future installments.
Ryan Gosling plays Sierra Six, a spy recruited from prison by handler Donald Fitzroy (Billy Bob Thornton). The movie rapidly sets the stage and thrusts Six into action when a mission takes a disastrous turn, leading to his pursuit of a fellow secret agent. Under the command of new boss Denny Carmichael (Regé-Jean Page), Six is tasked with eliminating a target who reveals incriminating information before dying. This propels the stoic protagonist into a relentless pursuit before he even develops a nuanced personality. The film's protagonist is disappointingly one-dimensional, lacking the depth expected for a two-hour journey.
The narrative introduces Lloyd Hansen (Chris Evans), a former CIA black ops operative, now a private sector agent with few moral constraints. His goal is to capture Six, even resorting to kidnapping Fitzroy's daughter, Claire (Julia Butters), for leverage. Although Six shares a connection with Claire from his past guardianship, the film's characterization remains feeble. The lack of depth extends to Dani Miranda (Ana de Armas), another spy who joins Six's mission.
While "The Gray Man" contains sporadic gripping action sequences, its visual presentation often disappoints. A significant portion of the film is shot in dim lighting, undermining the charisma of Gosling, Evans, and de Armas. The choice to adopt such an ambiance does the film a disservice, obscuring the potential grandeur of its globe-trotting narrative.
The film's pacing and character dynamics result in a generic narrative. The clash between Six and Hansen lacks complexity, portraying a conventional duel between good and reckless. Despite attempts to depict Hansen as a formidable antagonist, the script fails to substantiate his supposed genius.
"The Gray Man" exemplifies the reluctance of streaming platforms to take creative risks. Amid discussions about algorithmic influence and templates dictating content, the film succumbs to formulaic tendencies. Netflix's $200 million investment should have yielded an original blockbuster akin to "John Wick," "Mission: Impossible," or "Mad Max: Fury Road." However, the film shies away from boldness, leaving audiences yearning for a refreshing departure from the norm.
Yes, "The Gray Man" is intended to launch a new franchise based on the book by Mark Greaney.
The movie follows Sierra Six, a spy recruited from prison, who becomes embroiled in a mission gone awry. He must navigate a web of intrigue, betrayal, and danger.
The film features Ryan Gosling as Sierra Six, Chris Evans as Lloyd Hansen, Ana de Armas as Dani Miranda, and others.
Unfortunately, the film falls short in developing multi-dimensional characters, with even the protagonist lacking depth.
The film struggles to distinguish itself, often resorting to formulaic action and dim lighting, undermining its potential impact.
While some action sequences are effective, the film's visual presentation and pacing often hinder the overall experience.
No, the film adheres to a formulaic approach, indicative of a reluctance to take genuine creative risks.
The film lacks the uniqueness and intensity that have defined successful franchises like "John Wick" and "Mission: Impossible."
Yes, as the potential start of a franchise, "The Gray Man" could benefit from deeper character development and more innovative storytelling.
While the film industry faces challenges related to algorithm-driven decisions, a departure from formulaic content is needed for originality to thrive.
Netflix's "The Gray Man" stumbles in its pursuit of franchise greatness. Despite the stellar cast and substantial budget, the film lacks the depth, character development, and risk-taking that could elevate it to iconic action status. If the movie industry seeks a groundbreaking blockbuster, it requires a departure from formulaic approaches and a commitment to genuine creativity. The superhero required to ignite this change might not be one with superhuman abilities, but rather an industry willing to embrace innovation.